What does it take to edit a headshot portrait straight out of the camera to make it look the best it possibly can?Read More
Every client that sits on my posing stool at The Headshot Studio will hear the same phrase come from my mouth: "Can you put your chin forward and down for me?". After the initial confused expression from my client they start to understand what I mean once I show them on the back of my camera, the difference this simple action can make to a headshot or portrait. This move basically accentuates the jawline and eliminates double chins, and always looks great. Pretty much every headshot on these pages uses this method.
With selfies, we have been conditioned to position our heads and tilt our neck up as high as we can, and although in most situations it removes the double chin, it doesn't look natural and a professional headshot using this position would look bizarre to say the least! We converse and usually view other faces at the same level as our own and a professional headshot should reflect that.
At our headshot sessions, I usually take a few test shots while I perfect my lighting without giving any direction and its interesting to see what positions my clients believe would be best - more times than not, they default to tilting their chins up (I would've done the exact same thing before I discovered this posing technique). Once I have sorted my lighting and give direction and posing advice, its fun to show my clients the difference just tilting their chin forward and down can make.
I discovered this technique from renowned American Portrait Photographer, Sue Bryce, and the pose has been widely adopted by other portrait and headshot photographers across the globe. Another great way of explaining it is to imagine there is a piece of string attached to your chin and it is being pulled down.
While the traditional selfie pose has a style of its own and its place on social media, websites such as LinkedIn require that professional edge, an edge that can only be achieved with a professional portrait and posing achieved, in part, with 4 simple words: Chin forward and down.
Thank you so much for reading, if you're ready to drop that chin and step into our studio for that professional headshot you've been meaning to get, drop us an email or fill in the form below and lets make it happen!
Hello and welcome to our latest blog here at The Headshot Studio!
There is a conundrum that has plagued Portrait /Fashion Photographers ever since the invention and introduction of an incredibly important tool - Photoshop.
Photoshop was released in 1990 and changed the photography industry forever. What started as a simple application has now morphed into a complicated, powerful and indispensable tool that can transform average images into award winning works of art - and in some cases digital images made from scratch in the application.
The aforementioned conundrum that every photographer (particularly Portrait oriented Photographers) faces (pun intended) is: How much Photoshopping is too much?
Its easy to underestimate just how powerful Photoshop is. 'Photoshopping' or 'Retouching' as its known in the industry, can range from technical aspects of an image - changing the colour temperature or saturation to removing a couple of pimples or shadows under the eyes to removing wrinkles, whitening teeth and making someone look slimmer all the way to completely changing the way someone looks. Here is where Photographers can muddy the waters.
Glossy fashion magazines such as Cosmopolitan and Marie Clare have long been seen as the biggest culprits - selling the idea of physical perfection through heavy handed Retouching. Skin smoothing is the biggest crutch - resulting in faces without pores that look like the aliens from 1985's Cocoon.
Artificial slimming through Photoshop is another problem perpetuated by the glossy magazines and is perhaps the most controversial misuse of Photoshop. Fundamentally changing the body shape, removing any curves and semblance of body shape pushes things way too far in my opinion and usually results in an image that looks nothing like the model that they started with. Practices like this are partly to blame for the epidemic of unrealistic beauty plaguing fashion magazines and more importantly social media apps like Instagram. Print is dying, there's no denying that, and Instagram reaches far more people than an issue of Cosmo, and crucially, a far younger and impressionable audience. I touch on the subject of unrealistic beauty in online imagery affecting people's confidence and self esteem in my previous blog, which you can read here.
Things Are Changing...Slowly
With the combination of Glossy magazine photoshopping scandals making the headlines and people becoming more aware of these practices with the dawn of the internet - attitudes are changing. Marketing departments are realising that people are far more educated on these issues than ever before and are pushing the notion of real beauty onto consumers, an example being the Dove Campaign For Real Beauty in the early 2000's - which was incredibly successful, and many other companies followed suit. Over editing however is still prevalent, scrolling through portrait images on Instagram can be a depressing endeavor...
The Headshot Studio's Photoshop Principles
We use Photoshop on all of our images, but as a famous cinematic uncle said to a certain web slinging superhero - "With great power comes great responsibility". We use Photoshop to enhance our headshots so that they can be the best they can be, the last thing we want is for a client to receive a retouched photo and not recognise the person they're looking at due to a heavy hand with the mouse.
We adjust our images on the technical side - adjusting colour temperature, brightness, saturation and contrast, and our policy on retouching is to remove temporary anomalies such as pimples/blemishes, circles under the eyes if the client hasn't had a proper nights sleep before the headshot session, getting rid of any stray hairs and brightening up eyes. We would only use wrinkle removal or skin smoothing if a client specifically requests it and even then we use these tools sparingly. Getting the balance between a professionally produced headshot and an over edited distraction is crucial and as a Headshot Photographer, I feel I owe it to my clients to get this balance right.
Thank you so much for reading, and I hope you found this blog post interesting, or at the very least a worthwhile distraction! If you would like to book a headshot session with us and trust us not to over edit your headshots, you can either call us on 07917 823 318, drop us an email or fill in the form below:
Blog by Sunny Dhaliwal | The Headshot Studio | Make The Perfect First Impression
Hello and welcome to our first blog post!
Being a Headshot Photographer in Reading and Wokingham for a while now, today I want to talk about something i've noticed that (almost) every single client of mine has in common - everyone arrives with a certain anxiety about having their headshots taken.
Luckily I've managed to change everyone's state of mind by the end of the session and everyone leaves with a smile on their faces, but I am shocked by how uncomfortable people feel about having their headshots done either when they make first contact with The Headshot Studio or when they first arrive.
I find this strange as modern culture is dominated by smartphone cameras and selfies, so you would assume that everyone would be used to being photographed - So why the headshot phobia?
A quick Google search brings up Scopophobia, which is the fear of being stared at by others or the fear of drawing attention to oneself. I'm sure there are plenty of people that suffer from this, which seems like a form of anxiety, but I don't think that this applies my clients, as they probably wouldn't contact me in the first place.
I think that the main culprit for these thoughts and feelings of my clients is down to low self esteem. We all suffer from it (I know I do sometimes) and with the media and the internet throwing out unrealistic (and in most cases heavily photoshopped) images of perfect looking people, its no wonder that people feel the way they do about themselves. Sure, unrealistic beauty has been around for a long time in the form of TV and print, but the internet, and particularly smartphones, bombard us with these images wherever we may be, all day long.
Below is a fantastic Ted talk hosted by American Headshot Photographer, Peter Hurley (a bit of a hero of mine) and psychologist Anna Rowley and they make some fantastic points, its well worth a watch:
So What Can I Do To Help?
I am incredibly focused on making sure my clients are comfortable and happy during our headshot session. I do this in a number of ways. First, I always take several minutes to talk to my clients when they arrive at The Headshot Studio and get to know them, so they become more comfortable with me and studio area itself. I don't starting taking photos until I feel as though my client is comfortable in their surroundings. I have relaxing music playing in the background during the headshot session and selection process which is great for ambience, and I keep the the entire headshot session lighthearted, relaxed and carefree.
Every single client leaves our studio in a more positive frame of mind than when they first came (I constantly hear "that wasn't so bad" or "That was a much nicer experience than I thought it would be"), and that surely is the best kind of job satisfaction there is.
Book your Headshot session with The Headshot Studio (even if you suffer from Scopophobia) via email or by calling 07917 825 318.